Tinkaminks – so named by Ashwin, conceived at Friday Harbour Labs where they had these great paper key chains, and solidified by a fantastic book on Plankton. This is going to be an installation of perhaps a thousand keychain organisms. Today was all about printing Cephalopods, jellyfish, dinoflagellates and acantharians. Plankton contains plants and animals, from single cellular to embryonic and juvenile life forms. It is endlessly fascinating! Today I began printing some Tinkaminks using the most rudimentary printing techniques; carved rubber stamps and stamp pads. Who needs a Vandercook anyway?
Below is the finished drawing, with watercolor, of the octopus at Friday Harbor Labs. His name is Enzyme.The next drawing is a work in progress, a Prismacolor drawing of the octopus named Silence. I was feeling a bit frustrated with it on my last day in Friday Harbor, but now that I am going back to it, I think it’s okay. So I’ll keep plugging away at it.
Inspiration for my next project is below. It’s going to be an installation piece and I’ll give a hint – Plankton. I’m quite excited about it, so much so, that I couldn’t fall asleep the other night, but had to get up and order supplies at 1 a.m.
Meet Arkham, he is a bit larger than the other three octopuses at Friday Harbor Labs and he is a bit bristly. He is the main man in the study being done in Gire Labs, where they are studying navigation and sensing. Because he is a bit darker and moodier, he is more reclusive, but when I manage to take a photo he is quite dramatic. He uses something called papillae in his skin to make the dramatic horn-like bumps.
While here, I have also been given a studio. Ashwin and I spent hours in the studio yesterday, where I draw and he writes in his journal. I knew I would want to do some sketching here, but somehow ‘a place of ones own’ makes all the difference. Now I may want to buy some big paper and go larger! I can’t wait to get back to the studio again today, it’s bright and airy and smells of fresh wood.
In between sketching sessions we go down to the water to scavenge for treasures, the shore is full of driftwood that we take up to the studio. I know I want to draw octopus, but I think I could also get swept into drawing pieces of driftwood, or printing the grain. I’ll just have to come back again for round 2!
How do I love thee, let me count the ways.
On my first night I held a small crab in my fingers and fed it to an octopus – Enzyme aka Slimey (Ashwin’s name for him). He lunged at my hand and wrapped his arms around, I could feel his suckers attached to my skin. It was love at first sight. I am at Friday Harbor Labs where my husband Venkatesh is collaborating with a colleague from University of Washington, studying the way octopuses move and track. In three days I have learned more about Octopuses than I have in my life. They are fascinating to watch and yesterday I went to the lab to draw and take photos. They move so much in the evening, it was hard to sketch, but I took 145 photos! I’m just a little obsessed.
Anyone who has been reading this blog knows that I have been drawing octopuses for a little while, mainly from National Geographic photos. But there is nothing quite like drawing an octopus you are familiar with, from your own photos. I feel that Friday Harbor Labs is full of interesting people doing cool things. It’s such an inspiring environment and I feel very lucky to be here.
Whereas humans have X and Y chromosomes, chickens have Z and W. ZZ for male and ZW for female. The male side has a spur on its leg, a red comb and wattle, a greater mass of breast structure and a heavier bone structure. Split down the middle with brown on one side, gold and white on the other, this is a true male-female chimera.
My newest drawing – isn’t nature amazing? The female blue crab or Sook, has a red claw and the male or Jimmy, has a blue one. The shape on the underside of the shell is also different. This She/He is divided right down the middle – bilateral gynandromorph.
On a side note, it feels so great to finally use these round sheets of paper that I made over ten years ago.
A title I have stolen from Patricia Edmonds in the January 2017 Issue of National Geographic.
This is not just a drawing. I feel it says something special, so I have moved it from my last post to this one. To quote the NG article: ‘The difference in appearance between a species’ males and females is called sexual dimorphism. The term implies that there’s a bisecting line between sexes, a clear divide. But in the animal kingdom, a lot of creatures straddle it.’
I thought this ‘bilateral gynandromorph’ so beautiful that I had to draw it. And I post it today in support of the Women’s March yesterday, and the spirit of openness and acceptance that it engenders. Get it? En-genders? 🙂
March on ladies, and the gentlemen who support them!