I have been experimenting with making horseshoe crabs with clay. The first one (above) was sculpted from a solid block and hollowed out underneath. The top was a bit thick and it exploded during bisque firing so I threw it out. Later, after sitting in the trash box for a week, I decided to reassemble and glaze it. If it didn’t come out well it would at least be a good glaze test piece, and actually I was quite happy with it. The cracks and losses look like the shells found on a beach and give it a nice texture, so I decided to go ahead and add the paper gills and text. In the meantime, while I thought this was a total failure, I decided to make a new one out of a slab of clay (below). I sculpted it as it was draped over a plaster form and then carved the underside in low relief. Although, not as sculptural as the first, it worked out well and I was quite pleased with both glazes.
I have also been making bowls and plates with paintings of sea life. I begin with a thin coat of glossy white glaze with some of the brownstone clay showing through and then paint with black underglaze. I thin the underglaze to look like an ink wash painting. Once fired, it sinks into the white glaze and becomes glossy.
Since returning home from the beautiful MacFarlane Studio in Friday Harbor, I have been working in the home studio carving text. I am pacing myself to keep my hand from getting hurt, but now I’m heading for the home stretch. The first block is done (except for some tweaking) and the second block is nearly finished. I spent many hours carving over the weekend and I try to carve at least one word per night. I hope to be done next weekend!
I also have an artist book in the Boston Printmakers Biennial at Wellesley College. It’s in the same building where I took piano lessons when I was in grade school! I have so many memories of Wellesley College, my sister’s wedding, fishing in Paint Shop Pond, and swimming in Lake Waban. How strange it will be to go there again after many years! I had a lot of fun stitching in this artist book, Integumentary. Please come by on the 8th if you’re nearby!
I’m at the Whiteley Center for almost two weeks working on a huge block for the Big Ink Project at Hatch Show Print in September. I’m very excited about participating, and I’m working hard to get the block done in time. It’s been a while since I carved anything this big and although I knew what I was getting myself into, I’m realizing that this is going to take a lot of work and dedication! Back and neck ache? Sore wrist? Scraped knuckles? Yup, Advil may be needed.
Having a room to yourself can not be underestimated. I have been given this beautiful studio at the Whiteley Center for two weeks, and the thought that I have complete freedom to do what I want with it is so freeing. I settled in on Sunday, sweeping and arranging furniture to my liking. On Monday my wood blocks arrived on schedule and I’m ready to start drawing my whale for the Big Ink event. Big Ink is traveling to Hatch Show Print in Nashville for the weekend of September 14th and 15th and my work has been accepted for printing. Needless to say I have my work cut out for me! Pun intended ;-).
I have to include a ‘before’ shot of the blocks, 40″ X 90″.
Yesterday was my birthday and I also went for a long walk in the woods with Ashwin. University of Washington has the only old growth forest on San Juan Island. The woods are deep and varied, moving from open meadow-like areas to deep dark forest bordered by the Salish Sea. Any path taken on the right side of the trail ends up on the shore. Along the way I stepped off the path into the woods once, to take a photo at the base of a large tree. I heard an odd sound and when I looked to my left, there was an owl about 15 feet from me on a low branch. He flew up to a higher branch and we continued to look at each other for a long time. Ashwin was wearing a yellow kurta and the owl seemed particularly interested in him. I believe he is a Barred Owl.
What a lovely day, I can’t think of a better place to celebrate my birthday.