Ellora

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Buddhist caves at Ellora

Ellora is a place I have wanted to go to for such a long time, since I was studying Asain art as an undergrad. I don’t know how to describe this experience and it can’t really be explained in pictures either, but here is a taste of the great beauty I experienced. My favorite spot is the Buddhist cave with the ribbed ceiling, and the stupa with Buddha carved into the front. There were very few people when I was there and I was able to sit quietly on the floor and breathe it in. A once in a lifetime experience – the enormity was overwhelming at times. These caves were built by hand from solid rock between the 6th and 9th centuries!

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Jain cave

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Man from Jain cave

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Man blowing into a conch shell on a post in a Jain cave

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Three stories of Buddhist monk meditation quarters

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Perfectly aligned posts carved from a solid mountain. This cave lacks decoration because it is for meditation. Only the two columns flanking the entrance (halfway down on the right) have carved pots with overflowing plants as a welcome.

Buddhist cave for worshipping the Buddha.

Buddhist cave for worshipping the Buddha.

Buddha

Buddha

Ceiling of cave

Ceiling of cave

Looking out from behind the stupa

Looking out from behind the stupa

The largest Hindu Temple in Ellora. Carved from solid mountain from the top.

The largest Hindu Temple in Ellora. Carved from solid mountain from the top.

This temple is for worshipping the god Shiva. It is built in the shape of a carriage, but instead of wheels it is carried on the backs of elephants and other animals.

This temple is for worshipping the god Shiva. It is built in the shape of a carriage, but instead of wheels it is carried on the backs of elephants and other animals.

Elephants, lions and gryphons supporting the temple.

Elephants, lions and gryphons supporting the temple

The hindu temple from behind

The Hindu temple from behind

Fabric Printing Workshop

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Dyes on the studio wall remind me of a Cy Twombly painting.

Yesterday I took a fabric printing workshop at Tharangini in Bengaluru (the city has officially changed it’s name since the last post). It was so much fun to spend time in the studio, touching the beautiful wood blocks and printing with them. We began by practicing on a sheet of wrapping paper and a gift bag. We were then given two cushion covers to design and we could choose from the hundreds of blocks lining the walls. The printing process is quite different from block printing with a brayer and printing ink. The textile color is not as tacky. It is spread onto a flexible support and overlaid with a rough jute fabric for blocks with larger print areas. For finer blocks a fine smooth muslin is put on top of the jute and the ink is encouraged to seep up through the layers.

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The owner, Padmini, told us about the history of Tharangini, then introduced us to some of the materials and the steaming process. Everything used in the dying and printing process is Eco friendly and often organic.

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Gum Arabic on the upper right and pomegranate rinds on the bottom. The pomegranate makes a dull lime green color.

The steaming area for fixing silk dyes.

The steaming area for fixing silk dyes.

The container on top of the red oven in the foreground is where the water is heated, it is then piped into the tall metal cylinder behind, where the fabric is first top loaded and then steamed. The cone in the foreground goes on top.

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For me one of the greatest highlights was seeing the teak wood blocks being carved. The artisan had his small chisels custom made in Calcutta. I love how he lightly outlines the pattern first, then carves with chisels and mallet to get a deep relief carving. Teak is a very hard and durable wood. I’m in awe of this craft.

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