Dreaming of the Ocean

In the Midwest. I have been working on a stingray platter, trying to perfect the process. Below is the first one, which I’m quite happy with, but the top layer of the head came off in the bisque firing process. I had to rejoin the pieces with glaze and you can still see the cracks. I’m thinking of filling the cracks with epoxy and attaching gold to highIight them, like the Japanese Kintsugi technique. On my second try the head blew up into tiny pieces in the kiln, so I’m now on my ‘third try is a charm’, as my mother would say.

Mum told me that her happy place is Craigville Beach on Cape Cod. In her mind, she walks down to the end of the beach, lies down in the sand and listens to the waves. She is now 90, and it’s unlikely that she will walk the beach again, but thankfully she has her happy memories and this one gives her peace.

Tea bowls – urchin, crab, octopus, jellies.

The Humpback Whale tray  is in the green ware stage, awaiting bisque firing. Sometimes I think all is going well and what could possibly go wrong, but then it does. I’m crossing my fingers on this one!


The Plankton book (remember Tinkaminks?) is finished, and I made a drop spine box with a raised circle in the center to keep the key chain from shifting around. I printed the title on my old Vandercook press that now resides in Ben Blount’s new studio. He has generously let me use it when needed. This one is on its way to Vamp and Tramp Booksellers at this very moment.

 

The wide array of forms in the sea are endlessly inspiring. I feel I could keep going forever – and I will continue to dream of living on the coast once again. The lake is beautiful, but as I’ve said before, it’s a poor substitute for the ocean! 

Polar Vortex!

Well the Polar Vortex has reached Chicago and the Art Institute of Chicago is shut down for two days, so I don’t have to go to work. I’m spending my days holed up inside my home, cooking good food and catching up on lots of small things that I rarely have the time to do. This seems like a good time to take photos of my new work in the light of mid-morning.

I have gone in a slightly different direction for my Plankton (nickname Tinkamink) project. I decided to make a limited edition artist book before working on the wall installation. There are two reasons for this. Firstly, I have had some work accepted by Vamp and Tramp, and they are interested in the Plankton book, so I quickly finished in order to ship to them. Secondly, I have applied to the Whitely Foundation for an artist residency at Friday Harbor Labs on San Juan Island. It is there that I hope to focus, and complete the wall installation of Plankton. Wish me luck!

Plankton artist book

I have also taken photos of some of my recent pottery. I’m getting a bit better at predicting the outcome of some glazes at the Pot Shop Evanston and I feel I’m beginning to develop a personal style.

Ocean gleaming bright, salty tasting, glistening, never ending sea

Batter bowl, honey mustard glaze

Slab built tray at a Ware workshop (Ware glaze)

Sea urchin votive, honey mustard glaze with ash

Venkatesh’s Christmas mug, black underglaze with cinnamon glaze

Tinkaminks!

I have 119 Tinkamink prints and drawings so far and it looks like nothing!

Tinkaminks – so named by Ashwin, conceived at Friday Harbour Labs where they had these great paper key chains, and solidified by a fantastic book on Plankton. This is going to be an installation of perhaps a thousand keychain organisms. Today was all about printing Cephalopods, jellyfish, dinoflagellates and acantharians. Plankton contains plants and animals, from single cellular to embryonic and juvenile life forms. It is endlessly fascinating! Today I began printing some Tinkaminks using the most rudimentary printing techniques; carved rubber stamps and stamp pads. Who needs a Vandercook anyway?

Jellyfish Tinkamink

Hand drawn Tinkaminks. It could take a while to get to 1000!

Cephalopod

Below is the finished drawing, with watercolor, of the octopus at Friday Harbor Labs. His name is Enzyme.The next drawing is a work in progress, a Prismacolor drawing of the octopus named Silence. I was feeling a bit frustrated with it on my last day in Friday Harbor, but now that I am going back to it, I think it’s okay. So I’ll keep plugging away at it.

Inspiration for my next project is below. It’s going to be an installation piece and I’ll give a hint – Plankton. I’m quite excited about it, so much so, that I couldn’t fall asleep the other night, but had to get up and order supplies at 1 a.m.