Integumentary





Integumentary

Skin, feathers, nails,

Hair, hooves, scales.

A girl can stitch,

Mother embroidery,

Sewing as meditation.

She protected me,

Like skin, enveloped,

Enclosed, wrapped, contained.

Broken, cut, sewn,

The skin mends,

She is my wrapper.

What I show to the world,

Pale, translucent,

Not my choice, but mine nonetheless.

This is what I am given,

Pain, pressure, sensation, temperature,

Light exposure – Protection.

The Binding Story

Well, it’s an old story and a new one. Some may remember my book based on the Scarlet Letter by Nathaniel Hawthorne, Gules. I printed this book in 2005 for an edition of ten, and over the years I’ve only bound five. The pages and some of the materials have been sitting for the last ten plus years for me to finish. Now I really need to finish this edition, so I went to work preparing the boards and making boxes. This isn’t a perfect Instagram moment. I had exactly enough wood and leather for two more books, which seemed like it was meant to be. I planed the edges of the wood and attached the beautiful crimson red leather. I was almost ready to sew the binding, when one day I was driving my son home from school and it occurred to me…oh my god I planed all the boards and I’m supposed to plane only the outside boards! The inner boards for my dos-i-dos book need to remain flat so I can hinge them together.

All is not lost (I think). I know where I bought the leather and wood long ago and now I have enough planed boards for the outer covers of all five remaining books. I’ll just buy the matching materials and make the inner boards for all the books. Wow, maybe I’m way ahead of the game! 

So I go shopping. 

Well, Leo G. Stein has moved to the suburbs and they no longer have the beautiful crimson leather I once used, so I won’t be able to match the inner boards to the old ones. I find another leather that will work well and I buy a huge skin. Then I’m off to one of my favorite places on earth, Owl Hardwoods in Des Plaines. I look for my quarter sawn wood in 9 1/8″ width or more. I need 1/4″ planks cut to size for me, but they don’t have anything in this width except a 5/4 piece of rift sawn wood. It’s a beauty but such a waste when you only need 1/4″! Anyway, I went back and forth but this was the ONLY piece that was going to work for me. I’m told that quarter sawn oak in wider widths is becoming harder and harder to get. Oh dear.  Finally, Mo, helped me out. He had the guy in the wood shop rip it down to two planks for me and we crossed our fingers that it wouldn’t warp too badly. It worked beautifully and now there’s enough to make three new books from scratch. I am feeling sick about the waste of the old boards and having to start over. I feel like a total idiot and I’m so mad at myself.

So I start over. I have to make some lemonade out of these lemons!

Integumentary

I use one pair of boards and some handmade paper (that I made for end sheets on Gules but never used) to make a new book. Then I cut down some very old banner sheets with bird prints to make the pages of the new book. These 12 foot scrolls have been rolled up for fifteen years and I don’t intend to show this piece again – I love re-using old pieces to make new ones. I intended to make a new copy of an old book, with stories about each bird, but then re-reading the stories they seemed so old and I just couldn’t write them again. Things had changed too much, so I had to come up with something new. All told, the whole book concept came together in a day and I spent another day printing the wood type in Ben Blount’s new print shop, then stitched the binding that night. It still needed something, so I decided to do some more sewing on the pages. This was the most intuitive process I have been through in a while and I am very happy with the results. I’m really enjoying the sewing process, this is something I have been thinking about for a while and it is very gratifying to do. I feel  it ties in with my mother, and learning to embroider when I was a girl, yet it makes nice abstract shapes on the pages.



Well there you have it – lemonade!

Polar Vortex!

Well the Polar Vortex has reached Chicago and the Art Institute of Chicago is shut down for two days, so I don’t have to go to work. I’m spending my days holed up inside my home, cooking good food and catching up on lots of small things that I rarely have the time to do. This seems like a good time to take photos of my new work in the light of mid-morning.

I have gone in a slightly different direction for my Plankton (nickname Tinkamink) project. I decided to make a limited edition artist book before working on the wall installation. There are two reasons for this. Firstly, I have had some work accepted by Vamp and Tramp, and they are interested in the Plankton book, so I quickly finished in order to ship to them. Secondly, I have applied to the Whitely Foundation for an artist residency at Friday Harbor Labs on San Juan Island. It is there that I hope to focus, and complete the wall installation of Plankton. Wish me luck!

Plankton artist book

I have also taken photos of some of my recent pottery. I’m getting a bit better at predicting the outcome of some glazes at the Pot Shop Evanston and I feel I’m beginning to develop a personal style.

Ocean gleaming bright, salty tasting, glistening, never ending sea

Batter bowl, honey mustard glaze

Slab built tray at a Ware workshop (Ware glaze)

Sea urchin votive, honey mustard glaze with ash

Venkatesh’s Christmas mug, black underglaze with cinnamon glaze

Tinkaminks!

I have 119 Tinkamink prints and drawings so far and it looks like nothing!

Tinkaminks – so named by Ashwin, conceived at Friday Harbour Labs where they had these great paper key chains, and solidified by a fantastic book on Plankton. This is going to be an installation of perhaps a thousand keychain organisms. Today was all about printing Cephalopods, jellyfish, dinoflagellates and acantharians. Plankton contains plants and animals, from single cellular to embryonic and juvenile life forms. It is endlessly fascinating! Today I began printing some Tinkaminks using the most rudimentary printing techniques; carved rubber stamps and stamp pads. Who needs a Vandercook anyway?

Jellyfish Tinkamink

Hand drawn Tinkaminks. It could take a while to get to 1000!

Cephalopod

Below is the finished drawing, with watercolor, of the octopus at Friday Harbor Labs. His name is Enzyme.The next drawing is a work in progress, a Prismacolor drawing of the octopus named Silence. I was feeling a bit frustrated with it on my last day in Friday Harbor, but now that I am going back to it, I think it’s okay. So I’ll keep plugging away at it.

Inspiration for my next project is below. It’s going to be an installation piece and I’ll give a hint – Plankton. I’m quite excited about it, so much so, that I couldn’t fall asleep the other night, but had to get up and order supplies at 1 a.m. 

Octopus Obsession

I spent yesterday drawing more octopus and today I finally used a large sheet of D’Arches 140 lb cold press watercolor paper. It has been a while since I’ve used anything besides handmade paper, and I forgot how well a nice sized paper takes watercolor. After all the sketches, I was very happy with the final results. I’m hoping to make one more large drawing today – thanks to the Whiteley Center and Friday Harbor Labs!

Almost finished


I was given the opportunity to feed one of the octopuses tonight. Silence is a bit moodier than Enzyme and he usually hides and changes color a lot when I watch him. Tonight, after some coaxing, he grabbed the crab from my hand, latched onto me, and started pulling and exploring. It was so amazing and a bit unsettling. He is very strong and I had to tug a bit to get him to release my hand. I’m going to be very sad to leave these octopuses after tomorrow.

Arkham at FHL

Meet Arkham, he is a bit larger than the other three octopuses at Friday Harbor Labs and he is a bit bristly. He is the main man in the study being done in Gire Labs, where they are studying navigation and sensing. Because he is a bit darker and moodier, he is more reclusive, but when I manage to take a photo he is quite dramatic. He uses something called papillae in his skin to make the dramatic horn-like bumps.

While here, I have also been given a studio.  Ashwin and I spent hours in the studio yesterday, where I draw and he writes in his journal. I knew I would want to do some sketching here, but somehow ‘a place of ones own’ makes all the difference. Now I may want to buy some big paper and go larger! I can’t wait to get back to the studio again today, it’s bright and airy and smells of fresh wood.


In between sketching sessions we go down to the water to scavenge for treasures, the shore is full of driftwood that we take up to the studio. I know I want to draw octopus, but I think I could also get swept into drawing pieces of driftwood, or printing the grain. I’ll just have to come back again for round 2!

Former scientific study specimens – now dinner

Friday Harbor Labs, San Juan Island, WA

How do I love thee, let me count the ways. 
On my first night I held a small crab in my fingers and fed it to an octopus – Enzyme aka Slimey (Ashwin’s name for him). He lunged at my hand and wrapped his arms around, I could feel his suckers attached to my skin. It was love at first sight. I am at Friday Harbor Labs where my husband Venkatesh is collaborating with a colleague from University of Washington, studying the way octopuses move and track. In three days I have learned more about Octopuses than I have in my life. They are fascinating to watch and yesterday I went to the lab to draw and take photos. They move so much in the evening, it was hard to sketch, but I took 145 photos! I’m just a little obsessed.
Anyone who has been reading this blog knows that I have been drawing octopuses for a little while, mainly from National Geographic photos. But there is nothing quite like drawing an octopus you are familiar with, from your own photos. I feel that Friday Harbor Labs is full of interesting people doing cool things. It’s such an inspiring environment and I feel very lucky to be here.


Octopuses become very active in the evening

Suckers with ruffled edges

Always peeking

First drawing

ZW, ZZ

Whereas humans have X and Y chromosomes, chickens have Z and W. ZZ for male and ZW for female. The male side has a spur on its leg, a red comb and wattle, a greater mass of breast structure and a heavier bone structure. Split down the middle with brown on one side, gold and white on the other, this is a true male-female chimera. 

The gynandromorph who couldn’t sing.

This is the story of the bimorphic gynandromorph who couldn’t sing. He/she is split down the middle, with the red side being male and the gray side female.

The following is from a BBC article on gynandromorph animals by David Robson:

‘Unsurprisingly, courtship for these animals sometimes presents difficulties…..The other birds largely seemed to ignore it. This isolation is apparently common for gynandromorphs. Either they are quietly shunned, or actively attacked, by their peers’

Haven’t we all felt this at some time in our lives? There is something so sad and beautiful about this bird with no mate and no song.